Really they serve proteins in little cylinders at as trad a place as Adour. And Daniel. I do find it annoying.
In my restaurant everything will be served as milkshakes.
Posted 23 December 2011 - 07:00 PM
Really they serve proteins in little cylinders at as trad a place as Adour. And Daniel. I do find it annoying.
Posted 23 December 2011 - 07:34 PM
Posted 23 December 2011 - 10:19 PM
Why live your life when you could curate it?
At the Sign of the Pink Pig
Posted 23 December 2011 - 10:50 PM
[M]ost of the pastas hover around $25. This ought to be enough to buy bucatini that is cooked on both ends. -- Pete Wells on Caravaggio ( * review)
Tonight, there was a dessert of coconut, rhubarb, and black olive. Obvious in its execution how innovation and experiment, when introduced for their own sake, are annoying. --irnscrabblechf52, May 9, 2013
notorious stickler -- NY Times
deeply annoying and nitpicking -- Molly O'Neill, One Big Table
Posted 23 December 2011 - 10:58 PM
So-called manipulation into shapes not resembling the food in its natural state is very, very old school. I mean, Careme old.
Posted 24 December 2011 - 12:08 AM
Paul Liebrandt is an incredible culinary phenomenon.
His dishes and meals are conceptual and visual art.
His compositions are wildly imaginative, bafflingly complex and meticulously constructed.
His progression of dishes wink backwards to others and forwards to themselves.
He is operating a sleek showy spaceship that is orbiting at a very high altitude as most other fine dining chefs go through the monotonous motions and move their gastronomic ferries back and forth, back and forth, back and forth.
Whoooooooshhhhhhhhhh !
Look ... up in the sky ... it's a bird, it's a plane ...

No, there went Paul.
Whoooooooaaaaa ! That was close !
Did you see that near collision ? Paul almost collided with a waving Wiley !
No, that was just an optical illusion.
When you observe things from Earth, and if you aren't real careful, you can be easily fooled by distances and difficulty.
Paul is operating way higher up in the conceptual stratosphere and he is managing way more complexity.
Paul isn't hawking (and has no need for lame) gimmicks like reuben sandwiches, liquid noodles, foie-lafels or lox and bagels.
Paul is careening freeform towards his own food-infused fantasyland and he prefers to conceive of things through an abstract play of geometry, colors and textures.
He is an artist of the ephemeral. His domain is the conceptual and the abstract. His medium is food. That also makes him a chef.
But Paul is actually a pioneering chef astronaut.
And outer space can sometimes be a lonely place.
Posted 12 April 2012 - 12:28 PM
Posted 02 June 2012 - 01:23 AM
I mean, I think that these days you need different tiers of restaurants as a chef and as a brand. I don't plan on being a solo chef at one restaurant for the rest of my life, no, but it has to be the right thing. It's a lot of work, so it has to be the fit. I'm very picky. The days of the chef-proprietor with the solo restaurant who is there at all hours doesn't really exist anymore. You have to promote yourself and go out to the wider public. They have to know who you are, so you can't necessarily be tied to your kitchen 24/7. Well, anyway, if the restaurant can't function without you then it's not really a business. It's about finding a balance.
Yeah, absolutely. When I first came here, I am sure. But I was young, and young people say and do dumb shit without thinking. I am guilty of that, but again, I was young. I got three stars at Atlas when I was 24. It wasn't that it was overwhelming, it was just that I was a kid. Maybe I stuck my foot in my mouth, but that's life and I take responsibility for it.
As I learned, there was a game to be played and a way to approach things, people. I say to the kids in the kitchen that of course it's a business, but most importantly it's about connections between people. It's about the connections between the cooks, the customers and us, the investors and the restaurant, the media — all of it. It's about encouraging that connection and getting someone to embrace what you do.
Posted 02 June 2012 - 06:03 PM
Posted 03 June 2012 - 01:34 PM
He's improving at this talking to the press business, isn't he? Still too honest but far more verbose.
Posted 03 June 2012 - 01:39 PM
[M]ost of the pastas hover around $25. This ought to be enough to buy bucatini that is cooked on both ends. -- Pete Wells on Caravaggio ( * review)
Tonight, there was a dessert of coconut, rhubarb, and black olive. Obvious in its execution how innovation and experiment, when introduced for their own sake, are annoying. --irnscrabblechf52, May 9, 2013
notorious stickler -- NY Times
deeply annoying and nitpicking -- Molly O'Neill, One Big Table
Posted 04 June 2012 - 01:45 AM
Posted 04 June 2012 - 02:03 AM
If Corton can barely execute at a sufficient level to match the target food concept with Liebrandt in the kitchen, isn't it a bearish sign for the quality of the food that he wants to expand?
ETA: I mean in the sense that they are extremely ambitious, not that execution is generally not good.
Posted 04 June 2012 - 02:06 AM
Posted 04 June 2012 - 02:48 AM