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most recognizable opening riffs


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So why this paradox: gorge rises when listening to CB, but most, maybe all favorite bands are in column 1; BD sounds great, but no fav bands in column 2?

 

Ok, I know why: Bo Diddley was already awesome. CB -- not.

The Beach Boys might not agree.

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Ok, I know why: Bo Diddley was already awesome. CB -- not.

 

I would say the Diddley riff was neither as malleable nor as easily digested.

 

Listening to some old, original Diddley singles is a rough and bruising affair.

 

Tougher cross-over. (There are of course some famous rock songs which use the Diddley riff.)

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Keith Richards thinks Berry is awesome. That's good enough for me.

 

I like Keith Richards just fine, but I doubt I like everything he likes. Like I said, CB recordings make my gorge rise. I can't help it. Nothing personal to CB, I'm sure he's a fine man and musician. But apparently an entire army of very accomplished rockers have been improving on his one riff for 40 years. This is one case where the imitators sound better to me than the original.

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Chuck Berry is a difficult case. The guitar figure which opens "Johnny B. Goode" (and, with minor variation many other songs, is as distinctive a calling card as any in music). But it is not the riff. Many of Chuck Berry's up-tempo songs have a very similar riff: a guitar player can give better details, but there are two basic chord positions, the change being made by a very simple movement of the small finger.

I've said it before. Chuck Berry's only got one song but he's got it down cold.

When Keith Richards was out on his own with the X-Pensive Winos, he said in an interview that he (speaking of himself) only knew 3 songs & everything he did was just a variation on them.

 

Regardless, for some classic Keef riffs search out the Winos on YouTube or the Live at Hollywood Palladium album.

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I don't buy it. The equation might be true, but so is this one:

 

no X = no JHARP.

 

And so is this one:

 

no X (and other CB followers) = we're stuck with Chuck Berry to the end of time as the be-all and end-all of rock music, which is fine for most people, but not for me.

 

Look, I'll say only nice things about him at the funeral.

 

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little richard, chuck berry, bo diddley, jerry lee lewis: all great.

 

on the "let it bleed" tour, the stones had berry opening for them for some of the shows (ike and tina for others). at most shows he would play his big hits for the stones crowd. apparently, there was one show where some kid asked for a blues song. he did a double take, and proceeded to do an entire blues set. the moral of the story is that we remember him only for the "johnny b. goode" riff, but he's more than that--he fused all kinds of things together. the people who followed him got that. it's not just "satisfaction" that comes out of berry, it's also "faraway eyes".

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