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2005 Booker prize longlist


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Prynne me down.

I had dinner with Jeremy Prynne last summer actually - a mutual friend has written music based on his work. A very interesting and charming man who seems like a poet should... I'm ashamed to say I hardly know any of his poetry at all - I've just read one longish poem that I can't remember much about but liked, seemed quite Empsonish, perhaps as one would expect. I think there is supposed to be a new collected works edition either just out or soon to be out.

 

In general I'm afraid I agree with Wilfrid's comparison of the relative states of English and American poetry. Classical avant-garde music - the UK is looking a bit better at...

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Fair point - some fairly horrible historical issues going on in the 'naming' of such genres... I guess avant-garde concert music might be less contradictory seeming. People talking about the history of muscial style usually make a distinction between small c classical - all of western art music from c.1000 to the present - and big C Classical - C.P.E Bach through Schubert. But the whole term 'western art music' is loaded and difficult...

 

My own version of avant-garde classical music is people still stubbornly trying to be modernists - Harrison Birtwistle, Pierre Boulez, Brian Ferneyhough, Elliott Carter, for instance. Of whom 1 and 3 are English, incidentally...

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No coincidence that Prynne, despite a doubtless formidable command of English literature, has explicit poetic debts to the American experimentalists: Olson, Dorn, the Language poets, etc.

 

The "mainstream" of post-war English poetry has tried very hard to ignore the States. (Oh, there are exceptions - obviously Gunn who went to live there. Currently Mark Ford).

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  • 4 weeks later...
oh good.  thanks.

someone missed me? i'm going to cry!

 

I now know who are middlebrow writers. But who are, I pray stupidity, the highbrow writers? Rushdie: mid or hi?

 

i think rushdie is probably mid. and i think he's happy to be there. "midnight's children" will go down more as a significant novel--for its effect on modern indian literature--than as a great novel. of all his work i think the only one that has a chance to survive is "the satanic verses", which i thought was just fine when i first read it but thought was magnificent when i taught it last year. it is probably his only truly british novel.

 

funny how naipaul no longer gets nominated.

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I don't have an alternative list.  It just all strikes me as a bit clubby, and also as a way to comfort readers that they are reading what they should be reading.

graham huggan has a nice analysis of the booker prize in his "the postcolonial exotic". but i'll be buggered if i'm going to summarize it here for you lot.

 

i don't know about amis and mcewan but coetzee is not overrated. actually mrs. jones would say mcewan isn't either (i've barely read anything by him). she would also say that the best contemporary writers in english are american. i think i might agree.

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oh good.  thanks.

someone missed me? i'm going to cry!

 

i think rushdie is probably mid. and i think he's happy to be there. "midnight's children" will go down more as a significant novel--for its effect on modern indian literature--than as a great novel. of all his work i think the only one that has a chance to survive is "the satanic verses", which i thought was just fine when i first read it but thought was magnificent when i taught it last year. it is probably his only truly british novel.

As you know I completely disagree on the relative merits of MC and SV. But that's based on my recollections from reading them 20 years ago. Maybe I should reread.

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oh good.  thanks.

someone missed me? i'm going to cry!

 

i think rushdie is probably mid. and i think he's happy to be there. "midnight's children" will go down more as a significant novel--for its effect on modern indian literature--than as a great novel. of all his work i think the only one that has a chance to survive is "the satanic verses", which i thought was just fine when i first read it but thought was magnificent when i taught it last year. it is probably his only truly british novel.

As you know I completely disagree on the relative merits of MC and SV. But that's based on my recollections from reading them 20 years ago. Maybe I should reread.

i've read "midnight's children" about 5 times now, and each time it seems more and more like grass or marquez lite. and it always feels like it should end 150 pages before it does. my changed relationship with "the satanic verses" may have something to do with the fact that i re-read it 11 years into my own life as an immigrant. but in general the stylistic flourishes in this novel seem more organically connected to its concerns and less fireworky. it is, finally, a sentimental novel--it really wants you to believe in the redemptive power of love. as a nasty bastard you may have found this hard to take.

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I need to read Satanic Verses. I stayed away because of all the fatwa hooey, and then never got around to it. Not that I thought I would react in one way or the other, just that I was sick of hearing about it. Also, I had read midnight's children and felt it was meh, and to be honest, didn't want to read the controversial one in case I didn't like it and have to defend my position.

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